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Tiago Rodrigues

Catarina and the beauty of killing fascists

Do we need to violate democratic principles in order to protect them? Tiago Rodrigues and eight exceptional actors offer gripping political theatre, where ideologies and changing worldviews collide. 

Entrance
€ 18,-
Duration
150 minutes
Language
Portuguese with Dutch and English subtitles
Location
Grand Theatre
Accessibility
This show is sold out
© Joseph Banderet

Kill one man to save democracy?

It’s a family tradition: kidnap and kill a fascist. Once a year, for the past 70 years, a South-Portuguese family has been gathering for a weekend together at their idyllic country house to honour the memory of Catarina Eufémia, a farm worker brutally murdered under dictator Salazar’s regime. While enjoying a festive family barbeque, they celebrate their newest addition of revolutionary slayers; the youngest, also named Catarina, is about to kill her first fascist. Paralysed by doubt, Catharina is reluctant to continue the family tradition. What if killing isn’t some brave act, in line with her revolutionary ancestry, but just simply a crime? 

This performance falls under the Pressure theme and you can get theme discounts. For more information, check out this page

Yet even this part of “Catarina” feels like an invitation to grapple with what humanity is capable of, rather than a didactic demonstration. Complexity is always the answer in Rodrigues’s work — and it is one of the best ways to the audience’s heart.

Dates

Friday 23 August

Available times

19:00
This show is sold out

Saturday 24 August

Available times

19:00
This show is sold out
© Fillipe Ferreira
© Joseph Banderet
Joseph Banderet

About the artist

Tiago Rodrigues, a Portuguese actor and director, has a passion for creating theatre with an emphasis on collaboration and creativity without hierarchy. He co-founded the company Mundo Perfeito and has created many national and international performances. A director of the Teatro Nacional D. Maria II in Lisbon and director of the Festival d'Avignon, he remains a bridge builder between cultures and an advocate of living theatre.